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CHAPTER 1. Loomings.
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Call me Ishmael. Some years ago--never mind how long precisely--having
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little or no money in my purse, and nothing particular to interest me on
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shore, I thought I would sail about a little and see the watery part of
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the world. It is a way I have of driving off the spleen and regulating
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the circulation. Whenever I find myself growing grim about the mouth;
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whenever it is a damp, drizzly November in my soul; whenever I find
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myself involuntarily pausing before coffin warehouses, and bringing up
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the rear of every funeral I meet; and especially whenever my hypos get
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such an upper hand of me, that it requires a strong moral principle to
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prevent me from deliberately stepping into the street, and methodically
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knocking people's hats off--then, I account it high time to get to sea
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as soon as I can. This is my substitute for pistol and ball. With a
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philosophical flourish Cato throws himself upon his sword; I quietly
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take to the ship. There is nothing surprising in this. If they but knew
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it, almost all men in their degree, some time or other, cherish very
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nearly the same feelings towards the ocean with me.
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There now is your insular city of the Manhattoes, belted round by
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wharves as Indian isles by coral reefs--commerce surrounds it with
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her surf. Right and left, the streets take you waterward. Its extreme
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downtown is the battery, where that noble mole is washed by waves, and
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cooled by breezes, which a few hours previous were out of sight of land.
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Look at the crowds of water-gazers there.
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Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears
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Hook to Coenties Slip, and from thence, by Whitehall, northward. What
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do you see?--Posted like silent sentinels all around the town, stand
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thousands upon thousands of mortal men fixed in ocean reveries. Some
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leaning against the spiles; some seated upon the pier-heads; some
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looking over the bulwarks of ships from China; some high aloft in the
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rigging, as if striving to get a still better seaward peep. But these
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are all landsmen; of week days pent up in lath and plaster--tied to
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counters, nailed to benches, clinched to desks. How then is this? Are
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the green fields gone? What do they here?
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But look! here come more crowds, pacing straight for the water, and
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seemingly bound for a dive. Strange! Nothing will content them but the
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extremest limit of the land; loitering under the shady lee of yonder
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warehouses will not suffice. No. They must get just as nigh the water
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as they possibly can without falling in. And there they stand--miles of
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them--leagues. Inlanders all, they come from lanes and alleys, streets
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and avenues--north, east, south, and west. Yet here they all unite.
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Tell me, does the magnetic virtue of the needles of the compasses of all
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those ships attract them thither?
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Once more. Say you are in the country; in some high land of lakes. Take
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almost any path you please, and ten to one it carries you down in a
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dale, and leaves you there by a pool in the stream. There is magic
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in it. Let the most absent-minded of men be plunged in his deepest
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reveries--stand that man on his legs, set his feet a-going, and he will
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infallibly lead you to water, if water there be in all that region.
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Should you ever be athirst in the great American desert, try this
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experiment, if your caravan happen to be supplied with a metaphysical
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professor. Yes, as every one knows, meditation and water are wedded for
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ever.
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But here is an artist. He desires to paint you the dreamiest, shadiest,
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quietest, most enchanting bit of romantic landscape in all the valley of
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the Saco. What is the chief element he employs? There stand his trees,
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each with a hollow trunk, as if a hermit and a crucifix were within; and
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here sleeps his meadow, and there sleep his cattle; and up from yonder
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cottage goes a sleepy smoke. Deep into distant woodlands winds a
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mazy way, reaching to overlapping spurs of mountains bathed in their
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hill-side blue. But though the picture lies thus tranced, and though
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this pine-tree shakes down its sighs like leaves upon this shepherd's
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head, yet all were vain, unless the shepherd's eye were fixed upon the
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magic stream before him. Go visit the Prairies in June, when for scores
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on scores of miles you wade knee-deep among Tiger-lilies--what is the
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one charm wanting?--Water--there is not a drop of water there! Were
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Niagara but a cataract of sand, would you travel your thousand miles to
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see it? Why did the poor poet of Tennessee, upon suddenly receiving two
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handfuls of silver, deliberate whether to buy him a coat, which he sadly
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needed, or invest his money in a pedestrian trip to Rockaway Beach? Why
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is almost every robust healthy boy with a robust healthy soul in him, at
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some time or other crazy to go to sea? Why upon your first voyage as a
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passenger, did you yourself feel such a mystical vibration, when first
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told that you and your ship were now out of sight of land? Why did the
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old Persians hold the sea holy? Why did the Greeks give it a separate
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deity, and own brother of Jove? Surely all this is not without meaning.
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And still deeper the meaning of that story of Narcissus, who because
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he could not grasp the tormenting, mild image he saw in the fountain,
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plunged into it and was drowned. But that same image, we ourselves see
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in all rivers and oceans. It is the image of the ungraspable phantom of
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life; and this is the key to it all.
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Now, when I say that I am in the habit of going to sea whenever I begin
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to grow hazy about the eyes, and begin to be over conscious of my lungs,
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I do not mean to have it inferred that I ever go to sea as a passenger.
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For to go as a passenger you must needs have a purse, and a purse is
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but a rag unless you have something in it. Besides, passengers get
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sea-sick--grow quarrelsome--don't sleep of nights--do not enjoy
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themselves much, as a general thing;--no, I never go as a passenger;
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nor, though I am something of a salt, do I ever go to sea as a
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Commodore, or a Captain, or a Cook. I abandon the glory and distinction
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of such offices to those who like them. For my part, I abominate all
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honourable respectable toils, trials, and tribulations of every kind
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whatsoever. It is quite as much as I can do to take care of myself,
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without taking care of ships, barques, brigs, schooners, and what not.
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And as for going as cook,--though I confess there is considerable glory
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in that, a cook being a sort of officer on ship-board--yet, somehow,
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I never fancied broiling fowls;--though once broiled, judiciously
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buttered, and judgmatically salted and peppered, there is no one who
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will speak more respectfully, not to say reverentially, of a broiled
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fowl than I will. It is out of the idolatrous dotings of the old
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Egyptians upon broiled ibis and roasted river horse, that you see the
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mummies of those creatures in their huge bake-houses the pyramids.
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No, when I go to sea, I go as a simple sailor, right before the mast,
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plumb down into the forecastle, aloft there to the royal mast-head.
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True, they rather order me about some, and make me jump from spar to
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spar, like a grasshopper in a May meadow. And at first, this sort
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of thing is unpleasant enough. It touches one's sense of honour,
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particularly if you come of an old established family in the land, the
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Van Rensselaers, or Randolphs, or Hardicanutes. And more than all,
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if just previous to putting your hand into the tar-pot, you have been
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lording it as a country schoolmaster, making the tallest boys stand
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in awe of you. The transition is a keen one, I assure you, from a
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schoolmaster to a sailor, and requires a strong decoction of Seneca and
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the Stoics to enable you to grin and bear it. But even this wears off in
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time.
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What of it, if some old hunks of a sea-captain orders me to get a broom
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and sweep down the decks? What does that indignity amount to, weighed,
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I mean, in the scales of the New Testament? Do you think the archangel
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Gabriel thinks anything the less of me, because I promptly and
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respectfully obey that old hunks in that particular instance? Who ain't
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a slave? Tell me that. Well, then, however the old sea-captains may
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order me about--however they may thump and punch me about, I have the
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satisfaction of knowing that it is all right; that everybody else is
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one way or other served in much the same way--either in a physical
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or metaphysical point of view, that is; and so the universal thump is
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passed round, and all hands should rub each other's shoulder-blades, and
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be content.
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Again, I always go to sea as a sailor, because they make a point of
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paying me for my trouble, whereas they never pay passengers a single
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penny that I ever heard of. On the contrary, passengers themselves must
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pay. And there is all the difference in the world between paying
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and being paid. The act of paying is perhaps the most uncomfortable
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infliction that the two orchard thieves entailed upon us. But BEING
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PAID,--what will compare with it? The urbane activity with which a man
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receives money is really marvellous, considering that we so earnestly
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believe money to be the root of all earthly ills, and that on no account
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can a monied man enter heaven. Ah! how cheerfully we consign ourselves
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to perdition!
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Finally, I always go to sea as a sailor, because of the wholesome
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exercise and pure air of the fore-castle deck. For as in this world,
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head winds are far more prevalent than winds from astern (that is,
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if you never violate the Pythagorean maxim), so for the most part the
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Commodore on the quarter-deck gets his atmosphere at second hand from
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the sailors on the forecastle. He thinks he breathes it first; but not
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so. In much the same way do the commonalty lead their leaders in many
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other things, at the same time that the leaders little suspect it.
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But wherefore it was that after having repeatedly smelt the sea as a
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merchant sailor, I should now take it into my head to go on a whaling
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voyage; this the invisible police officer of the Fates, who has the
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constant surveillance of me, and secretly dogs me, and influences me
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in some unaccountable way--he can better answer than any one else. And,
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doubtless, my going on this whaling voyage, formed part of the grand
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programme of Providence that was drawn up a long time ago. It came in as
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a sort of brief interlude and solo between more extensive performances.
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I take it that this part of the bill must have run something like this:
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"GRAND CONTESTED ELECTION FOR THE PRESIDENCY OF THE UNITED STATES.
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"WHALING VOYAGE BY ONE ISHMAEL.
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"BLOODY BATTLE IN AFFGHANISTAN."
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Though I cannot tell why it was exactly that those stage managers, the
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Fates, put me down for this shabby part of a whaling voyage, when others
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were set down for magnificent parts in high tragedies, and short and
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easy parts in genteel comedies, and jolly parts in farces--though
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I cannot tell why this was exactly; yet, now that I recall all the
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circumstances, I think I can see a little into the springs and motives
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which being cunningly presented to me under various disguises, induced
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me to set about performing the part I did, besides cajoling me into the
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delusion that it was a choice resulting from my own unbiased freewill
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and discriminating judgment.
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Chief among these motives was the overwhelming idea of the great
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whale himself. Such a portentous and mysterious monster roused all my
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curiosity. Then the wild and distant seas where he rolled his island
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bulk; the undeliverable, nameless perils of the whale; these, with all
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the attending marvels of a thousand Patagonian sights and sounds, helped
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to sway me to my wish. With other men, perhaps, such things would not
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have been inducements; but as for me, I am tormented with an everlasting
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itch for things remote. I love to sail forbidden seas, and land on
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barbarous coasts. Not ignoring what is good, I am quick to perceive a
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horror, and could still be social with it--would they let me--since it
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is but well to be on friendly terms with all the inmates of the place
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one lodges in.
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By reason of these things, then, the whaling voyage was welcome; the
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great flood-gates of the wonder-world swung open, and in the wild
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conceits that swayed me to my purpose, two and two there floated into
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my inmost soul, endless processions of the whale, and, mid most of them
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all, one grand hooded phantom, like a snow hill in the air.
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CHAPTER 2. The Carpet-Bag.
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I stuffed a shirt or two into my old carpet-bag, tucked it under my arm,
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and started for Cape Horn and the Pacific. Quitting the good city of
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old Manhatto, I duly arrived in New Bedford. It was a Saturday night in
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December. Much was I disappointed upon learning that the little packet
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for Nantucket had already sailed, and that no way of reaching that place
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would offer, till the following Monday.
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As most young candidates for the pains and penalties of whaling stop at
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this same New Bedford, thence to embark on their voyage, it may as well
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be related that I, for one, had no idea of so doing. For my mind was
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made up to sail in no other than a Nantucket craft, because there was a
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fine, boisterous something about everything connected with that famous
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old island, which amazingly pleased me. Besides though New Bedford has
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of late been gradually monopolising the business of whaling, and though
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in this matter poor old Nantucket is now much behind her, yet Nantucket
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was her great original--the Tyre of this Carthage;--the place where the
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first dead American whale was stranded. Where else but from Nantucket
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did those aboriginal whalemen, the Red-Men, first sally out in canoes to
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give chase to the Leviathan? And where but from Nantucket, too, did that
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first adventurous little sloop put forth, partly laden with imported
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cobblestones--so goes the story--to throw at the whales, in order to
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discover when they were nigh enough to risk a harpoon from the bowsprit?
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Now having a night, a day, and still another night following before me
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in New Bedford, ere I could embark for my destined port, it became a
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matter of concernment where I was to eat and sleep meanwhile. It was a
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very dubious-looking, nay, a very dark and dismal night, bitingly cold
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and cheerless. I knew no one in the place. With anxious grapnels I had
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sounded my pocket, and only brought up a few pieces of silver,--So,
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wherever you go, Ishmael, said I to myself, as I stood in the middle of
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a dreary street shouldering my bag, and comparing the gloom towards the
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north with the darkness towards the south--wherever in your wisdom you
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may conclude to lodge for the night, my dear Ishmael, be sure to inquire
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the price, and don't be too particular.
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With halting steps I paced the streets, and passed the sign of "The
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Crossed Harpoons"--but it looked too expensive and jolly there. Further
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on, from the bright red windows of the "Sword-Fish Inn," there came such
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fervent rays, that it seemed to have melted the packed snow and ice from
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before the house, for everywhere else the congealed frost lay ten inches
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thick in a hard, asphaltic pavement,--rather weary for me, when I struck
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my foot against the flinty projections, because from hard, remorseless
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service the soles of my boots were in a most miserable plight. Too
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expensive and jolly, again thought I, pausing one moment to watch the
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broad glare in the street, and hear the sounds of the tinkling glasses
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within. But go on, Ishmael, said I at last; don't you hear? get away
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from before the door; your patched boots are stopping the way. So on I
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went. I now by instinct followed the streets that took me waterward, for
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there, doubtless, were the cheapest, if not the cheeriest inns.
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Such dreary streets! blocks of blackness, not houses, on either hand,
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and here and there a candle, like a candle moving about in a tomb. At
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this hour of the night, of the last day of the week, that quarter of
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the town proved all but deserted. But presently I came to a smoky light
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proceeding from a low, wide building, the door of which stood invitingly
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open. It had a careless look, as if it were meant for the uses of the
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public; so, entering, the first thing I did was to stumble over an
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ash-box in the porch. Ha! thought I, ha, as the flying particles almost
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choked me, are these ashes from that destroyed city, Gomorrah? But "The
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Crossed Harpoons," and "The Sword-Fish?"--this, then must needs be the
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sign of "The Trap." However, I picked myself up and hearing a loud voice
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within, pushed on and opened a second, interior door.
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It seemed the great Black Parliament sitting in Tophet. A hundred black
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faces turned round in their rows to peer; and beyond, a black Angel
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of Doom was beating a book in a pulpit. It was a negro church; and the
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preacher's text was about the blackness of darkness, and the weeping and
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wailing and teeth-gnashing there. Ha, Ishmael, muttered I, backing out,
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Wretched entertainment at the sign of 'The Trap!'
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Moving on, I at last came to a dim sort of light not far from the docks,
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and heard a forlorn creaking in the air; and looking up, saw a swinging
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sign over the door with a white painting upon it, faintly representing
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a tall straight jet of misty spray, and these words underneath--"The
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Spouter Inn:--Peter Coffin."
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Coffin?--Spouter?--Rather ominous in that particular connexion, thought
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I. But it is a common name in Nantucket, they say, and I suppose this
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Peter here is an emigrant from there. As the light looked so dim, and
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the place, for the time, looked quiet enough, and the dilapidated little
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wooden house itself looked as if it might have been carted here from
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the ruins of some burnt district, and as the swinging sign had a
|
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poverty-stricken sort of creak to it, I thought that here was the very
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spot for cheap lodgings, and the best of pea coffee.
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It was a queer sort of place--a gable-ended old house, one side palsied
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as it were, and leaning over sadly. It stood on a sharp bleak corner,
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where that tempestuous wind Euroclydon kept up a worse howling than ever
|
||||
it did about poor Paul's tossed craft. Euroclydon, nevertheless, is a
|
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mighty pleasant zephyr to any one in-doors, with his feet on the hob
|
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quietly toasting for bed. "In judging of that tempestuous wind called
|
||||
Euroclydon," says an old writer--of whose works I possess the only copy
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extant--"it maketh a marvellous difference, whether thou lookest out at
|
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it from a glass window where the frost is all on the outside, or whether
|
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thou observest it from that sashless window, where the frost is on both
|
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sides, and of which the wight Death is the only glazier." True enough,
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thought I, as this passage occurred to my mind--old black-letter, thou
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reasonest well. Yes, these eyes are windows, and this body of mine is
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the house. What a pity they didn't stop up the chinks and the crannies
|
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though, and thrust in a little lint here and there. But it's too late
|
||||
to make any improvements now. The universe is finished; the copestone
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||||
is on, and the chips were carted off a million years ago. Poor Lazarus
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there, chattering his teeth against the curbstone for his pillow, and
|
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shaking off his tatters with his shiverings, he might plug up both ears
|
||||
with rags, and put a corn-cob into his mouth, and yet that would not
|
||||
keep out the tempestuous Euroclydon. Euroclydon! says old Dives, in his
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red silken wrapper--(he had a redder one afterwards) pooh, pooh! What
|
||||
a fine frosty night; how Orion glitters; what northern lights! Let them
|
||||
talk of their oriental summer climes of everlasting conservatories; give
|
||||
me the privilege of making my own summer with my own coals.
|
||||
|
||||
But what thinks Lazarus? Can he warm his blue hands by holding them up
|
||||
to the grand northern lights? Would not Lazarus rather be in Sumatra
|
||||
than here? Would he not far rather lay him down lengthwise along the
|
||||
line of the equator; yea, ye gods! go down to the fiery pit itself, in
|
||||
order to keep out this frost?
|
||||
|
||||
Now, that Lazarus should lie stranded there on the curbstone before the
|
||||
door of Dives, this is more wonderful than that an iceberg should be
|
||||
moored to one of the Moluccas. Yet Dives himself, he too lives like a
|
||||
Czar in an ice palace made of frozen sighs, and being a president of a
|
||||
temperance society, he only drinks the tepid tears of orphans.
|
||||
|
||||
But no more of this blubbering now, we are going a-whaling, and there is
|
||||
plenty of that yet to come. Let us scrape the ice from our frosted feet,
|
||||
and see what sort of a place this "Spouter" may be.
|
||||
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||||
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CHAPTER 3. The Spouter-Inn.
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||||
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||||
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||||
Entering that gable-ended Spouter-Inn, you found yourself in a wide,
|
||||
low, straggling entry with old-fashioned wainscots, reminding one of
|
||||
the bulwarks of some condemned old craft. On one side hung a very large
|
||||
oilpainting so thoroughly besmoked, and every way defaced, that in the
|
||||
unequal crosslights by which you viewed it, it was only by diligent
|
||||
study and a series of systematic visits to it, and careful inquiry of
|
||||
the neighbors, that you could any way arrive at an understanding of its
|
||||
purpose. Such unaccountable masses of shades and shadows, that at first
|
||||
you almost thought some ambitious young artist, in the time of the New
|
||||
England hags, had endeavored to delineate chaos bewitched. But by dint
|
||||
of much and earnest contemplation, and oft repeated ponderings, and
|
||||
especially by throwing open the little window towards the back of the
|
||||
entry, you at last come to the conclusion that such an idea, however
|
||||
wild, might not be altogether unwarranted.
|
||||
|
||||
But what most puzzled and confounded you was a long, limber, portentous,
|
||||
black mass of something hovering in the centre of the picture over three
|
||||
blue, dim, perpendicular lines floating in a nameless yeast. A boggy,
|
||||
soggy, squitchy picture truly, enough to drive a nervous man distracted.
|
||||
Yet was there a sort of indefinite, half-attained, unimaginable
|
||||
sublimity about it that fairly froze you to it, till you involuntarily
|
||||
took an oath with yourself to find out what that marvellous painting
|
||||
meant. Ever and anon a bright, but, alas, deceptive idea would dart you
|
||||
through.--It's the Black Sea in a midnight gale.--It's the unnatural
|
||||
combat of the four primal elements.--It's a blasted heath.--It's a
|
||||
Hyperborean winter scene.--It's the breaking-up of the icebound stream
|
||||
of Time. But at last all these fancies yielded to that one portentous
|
||||
something in the picture's midst. THAT once found out, and all the rest
|
||||
were plain. But stop; does it not bear a faint resemblance to a gigantic
|
||||
fish? even the great leviathan himself?
|
||||
|
||||
In fact, the artist's design seemed this: a final theory of my own,
|
||||
partly based upon the aggregated opinions of many aged persons with whom
|
||||
I conversed upon the subject. The picture represents a Cape-Horner in a
|
||||
great hurricane; the half-foundered ship weltering there with its three
|
||||
dismantled masts alone visible; and an exasperated whale, purposing to
|
||||
spring clean over the craft, is in the enormous act of impaling himself
|
||||
upon the three mast-heads.
|
||||
|
||||
The opposite wall of this entry was hung all over with a heathenish
|
||||
array of monstrous clubs and spears. Some were thickly set with
|
||||
glittering teeth resembling ivory saws; others were tufted with knots of
|
||||
human hair; and one was sickle-shaped, with a vast handle sweeping round
|
||||
like the segment made in the new-mown grass by a long-armed mower. You
|
||||
shuddered as you gazed, and wondered what monstrous cannibal and savage
|
||||
could ever have gone a death-harvesting with such a hacking, horrifying
|
||||
implement. Mixed with these were rusty old whaling lances and harpoons
|
||||
all broken and deformed. Some were storied weapons. With this once long
|
||||
lance, now wildly elbowed, fifty years ago did Nathan Swain kill fifteen
|
||||
whales between a sunrise and a sunset. And that harpoon--so like a
|
||||
corkscrew now--was flung in Javan seas, and run away with by a whale,
|
||||
years afterwards slain off the Cape of Blanco. The original iron entered
|
||||
nigh the tail, and, like a restless needle sojourning in the body of a
|
||||
man, travelled full forty feet, and at last was found imbedded in the
|
||||
hump.
|
||||
|
||||
Crossing this dusky entry, and on through yon low-arched way--cut
|
||||
through what in old times must have been a great central chimney with
|
||||
fireplaces all round--you enter the public room. A still duskier place
|
||||
is this, with such low ponderous beams above, and such old wrinkled
|
||||
planks beneath, that you would almost fancy you trod some old craft's
|
||||
cockpits, especially of such a howling night, when this corner-anchored
|
||||
old ark rocked so furiously. On one side stood a long, low, shelf-like
|
||||
table covered with cracked glass cases, filled with dusty rarities
|
||||
gathered from this wide world's remotest nooks. Projecting from the
|
||||
further angle of the room stands a dark-looking den--the bar--a rude
|
||||
attempt at a right whale's head. Be that how it may, there stands the
|
||||
vast arched bone of the whale's jaw, so wide, a coach might almost drive
|
||||
beneath it. Within are shabby shelves, ranged round with old decanters,
|
||||
bottles, flasks; and in those jaws of swift destruction, like another
|
||||
cursed Jonah (by which name indeed they called him), bustles a little
|
||||
withered old man, who, for their money, dearly sells the sailors
|
||||
deliriums and death.
|
||||
|
||||
Abominable are the tumblers into which he pours his poison. Though
|
||||
true cylinders without--within, the villanous green goggling glasses
|
||||
deceitfully tapered downwards to a cheating bottom. Parallel meridians
|
||||
rudely pecked into the glass, surround these footpads' goblets. Fill to
|
||||
THIS mark, and your charge is but a penny; to THIS a penny more; and so
|
||||
on to the full glass--the Cape Horn measure, which you may gulp down for
|
||||
a shilling.
|
||||
|
||||
Upon entering the place I found a number of young seamen gathered about
|
||||
a table, examining by a dim light divers specimens of SKRIMSHANDER. I
|
||||
sought the landlord, and telling him I desired to be accommodated with a
|
||||
room, received for answer that his house was full--not a bed unoccupied.
|
||||
"But avast," he added, tapping his forehead, "you haint no objections
|
||||
to sharing a harpooneer's blanket, have ye? I s'pose you are goin'
|
||||
a-whalin', so you'd better get used to that sort of thing."
|
||||
|
||||
I told him that I never liked to sleep two in a bed; that if I should
|
||||
ever do so, it would depend upon who the harpooneer might be, and
|
||||
that if he (the landlord) really had no other place for me, and the
|
||||
harpooneer was not decidedly objectionable, why rather than wander
|
||||
further about a strange town on so bitter a night, I would put up with
|
||||
the half of any decent man's blanket.
|
||||
|
||||
"I thought so. All right; take a seat. Supper?--you want supper?
|
||||
Supper'll be ready directly."
|
||||
|
||||
I sat down on an old wooden settle, carved all over like a bench on the
|
||||
Battery. At one end a ruminating tar was still further adorning it with
|
||||
his jack-knife, stooping over and diligently working away at the space
|
||||
between his legs. He was trying his hand at a ship under full sail, but
|
||||
he didn't make much headway, I thought.
|
||||
|
||||
At last some four or five of us were summoned to our meal in an
|
||||
adjoining room. It was cold as Iceland--no fire at all--the landlord
|
||||
said he couldn't afford it. Nothing but two dismal tallow candles, each
|
||||
in a winding sheet. We were fain to button up our monkey jackets, and
|
||||
hold to our lips cups of scalding tea with our half frozen fingers. But
|
||||
the fare was of the most substantial kind--not only meat and potatoes,
|
||||
but dumplings; good heavens! dumplings for supper! One young fellow in
|
||||
a green box coat, addressed himself to these dumplings in a most direful
|
||||
manner.
|
||||
|
||||
"My boy," said the landlord, "you'll have the nightmare to a dead
|
||||
sartainty."
|
||||
|
||||
"Landlord," I whispered, "that aint the harpooneer is it?"
|
||||
|
||||
"Oh, no," said he, looking a sort of diabolically funny, "the harpooneer
|
||||
is a dark complexioned chap. He never eats dumplings, he don't--he eats
|
||||
nothing but steaks, and he likes 'em rare."
|
||||
|
||||
"The devil he does," says I. "Where is that harpooneer? Is he here?"
|
||||
|
||||
"He'll be here afore long," was the answer.
|
||||
|
||||
I could not help it, but I began to feel suspicious of this "dark
|
||||
complexioned" harpooneer. At any rate, I made up my mind that if it so
|
||||
turned out that we should sleep together, he must undress and get into
|
||||
bed before I did.
|
||||
|
||||
Supper over, the company went back to the bar-room, when, knowing not
|
||||
what else to do with myself, I resolved to spend the rest of the evening
|
||||
as a looker on.
|
||||
|
||||
Presently a rioting noise was heard without. Starting up, the landlord
|
||||
cried, "That's the Grampus's crew. I seed her reported in the offing
|
||||
this morning; a three years' voyage, and a full ship. Hurrah, boys; now
|
||||
we'll have the latest news from the Feegees."
|
||||
|
||||
A tramping of sea boots was heard in the entry; the door was flung open,
|
||||
and in rolled a wild set of mariners enough. Enveloped in their shaggy
|
||||
watch coats, and with their heads muffled in woollen comforters, all
|
||||
bedarned and ragged, and their beards stiff with icicles, they seemed an
|
||||
eruption of bears from Labrador. They had just landed from their boat,
|
||||
and this was the first house they entered. No wonder, then, that they
|
||||
made a straight wake for the whale's mouth--the bar--when the wrinkled
|
||||
little old Jonah, there officiating, soon poured them out brimmers all
|
||||
round. One complained of a bad cold in his head, upon which Jonah
|
||||
mixed him a pitch-like potion of gin and molasses, which he swore was a
|
||||
sovereign cure for all colds and catarrhs whatsoever, never mind of how
|
||||
long standing, or whether caught off the coast of Labrador, or on the
|
||||
weather side of an ice-island.
|
||||
|
||||
The liquor soon mounted into their heads, as it generally does even
|
||||
with the arrantest topers newly landed from sea, and they began capering
|
||||
about most obstreperously.
|
||||
|
||||
I observed, however, that one of them held somewhat aloof, and though
|
||||
he seemed desirous not to spoil the hilarity of his shipmates by his own
|
||||
sober face, yet upon the whole he refrained from making as much noise
|
||||
as the rest. This man interested me at once; and since the sea-gods
|
||||
had ordained that he should soon become my shipmate (though but a
|
||||
sleeping-partner one, so far as this narrative is concerned), I will
|
||||
here venture upon a little description of him. He stood full six feet
|
||||
in height, with noble shoulders, and a chest like a coffer-dam. I have
|
||||
seldom seen such brawn in a man. His face was deeply brown and burnt,
|
||||
making his white teeth dazzling by the contrast; while in the deep
|
||||
shadows of his eyes floated some reminiscences that did not seem to give
|
||||
him much joy. His voice at once announced that he was a Southerner,
|
||||
and from his fine stature, I thought he must be one of those tall
|
||||
mountaineers from the Alleghanian Ridge in Virginia. When the revelry
|
||||
of his companions had mounted to its height, this man slipped away
|
||||
unobserved, and I saw no more of him till he became my comrade on the
|
||||
sea. In a few minutes, however, he was missed by his shipmates, and
|
||||
being, it seems, for some reason a huge favourite with them, they raised
|
||||
a cry of "Bulkington! Bulkington! where's Bulkington?" and darted out of
|
||||
the house in pursuit of him.
|
||||
|
||||
It was now about nine o'clock, and the room seeming almost
|
||||
supernaturally quiet after these orgies, I began to congratulate myself
|
||||
upon a little plan that had occurred to me just previous to the entrance
|
||||
of the seamen.
|
||||
|
||||
No man prefers to sleep two in a bed. In fact, you would a good deal
|
||||
rather not sleep with your own brother. I don't know how it is, but
|
||||
people like to be private when they are sleeping. And when it comes to
|
||||
sleeping with an unknown stranger, in a strange inn, in a strange
|
||||
town, and that stranger a harpooneer, then your objections indefinitely
|
||||
multiply. Nor was there any earthly reason why I as a sailor should
|
||||
sleep two in a bed, more than anybody else; for sailors no more sleep
|
||||
two in a bed at sea, than bachelor Kings do ashore. To be sure they
|
||||
all sleep together in one apartment, but you have your own hammock, and
|
||||
cover yourself with your own blanket, and sleep in your own skin.
|
||||
|
||||
The more I pondered over this harpooneer, the more I abominated the
|
||||
thought of sleeping with him. It was fair to presume that being a
|
||||
harpooneer, his linen or woollen, as the case might be, would not be of
|
||||
the tidiest, certainly none of the finest. I began to twitch all over.
|
||||
Besides, it was getting late, and my decent harpooneer ought to be
|
||||
home and going bedwards. Suppose now, he should tumble in upon me at
|
||||
midnight--how could I tell from what vile hole he had been coming?
|
||||
|
||||
"Landlord! I've changed my mind about that harpooneer.--I shan't sleep
|
||||
with him. I'll try the bench here."
|
||||
|
||||
"Just as you please; I'm sorry I cant spare ye a tablecloth for a
|
||||
mattress, and it's a plaguy rough board here"--feeling of the knots and
|
||||
notches. "But wait a bit, Skrimshander; I've got a carpenter's plane
|
||||
there in the bar--wait, I say, and I'll make ye snug enough." So saying
|
||||
he procured the plane; and with his old silk handkerchief first dusting
|
||||
the bench, vigorously set to planing away at my bed, the while grinning
|
||||
like an ape. The shavings flew right and left; till at last the
|
||||
plane-iron came bump against an indestructible knot. The landlord was
|
||||
near spraining his wrist, and I told him for heaven's sake to quit--the
|
||||
bed was soft enough to suit me, and I did not know how all the planing
|
||||
in the world could make eider down of a pine plank. So gathering up the
|
||||
shavings with another grin, and throwing them into the great stove in
|
||||
the middle of the room, he went about his business, and left me in a
|
||||
brown study.
|
||||
|
||||
I now took the measure of the bench, and found that it was a foot too
|
||||
short; but that could be mended with a chair. But it was a foot too
|
||||
narrow, and the other bench in the room was about four inches higher
|
||||
than the planed one--so there was no yoking them. I then placed the
|
||||
first bench lengthwise along the only clear space against the wall,
|
||||
leaving a little interval between, for my back to settle down in. But I
|
||||
soon found that there came such a draught of cold air over me from under
|
||||
the sill of the window, that this plan would never do at all, especially
|
||||
as another current from the rickety door met the one from the window,
|
||||
and both together formed a series of small whirlwinds in the immediate
|
||||
vicinity of the spot where I had thought to spend the night.
|
||||
|
||||
The devil fetch that harpooneer, thought I, but stop, couldn't I steal
|
||||
a march on him--bolt his door inside, and jump into his bed, not to be
|
||||
wakened by the most violent knockings? It seemed no bad idea; but upon
|
||||
second thoughts I dismissed it. For who could tell but what the next
|
||||
morning, so soon as I popped out of the room, the harpooneer might be
|
||||
standing in the entry, all ready to knock me down!
|
||||
|
||||
Still, looking round me again, and seeing no possible chance of spending
|
||||
a sufferable night unless in some other person's bed, I began to think
|
||||
that after all I might be cherishing unwarrantable prejudices against
|
||||
this unknown harpooneer. Thinks I, I'll wait awhile; he must be dropping
|
||||
in before long. I'll have a good look at him then, and perhaps we may
|
||||
become jolly good bedfellows after all--there's no telling.
|
||||
|
||||
But though the other boarders kept coming in by ones, twos, and threes,
|
||||
and going to bed, yet no sign of my harpooneer.
|
||||
|
||||
"Landlord!" said I, "what sort of a chap is he--does he always keep such
|
||||
late hours?" It was now hard upon twelve o'clock.
|
||||
|
||||
The landlord chuckled again with his lean chuckle, and seemed to
|
||||
be mightily tickled at something beyond my comprehension. "No," he
|
||||
answered, "generally he's an early bird--airley to bed and airley to
|
||||
rise--yes, he's the bird what catches the worm. But to-night he went out
|
||||
a peddling, you see, and I don't see what on airth keeps him so late,
|
||||
unless, may be, he can't sell his head."
|
||||
|
||||
"Can't sell his head?--What sort of a bamboozingly story is this you
|
||||
are telling me?" getting into a towering rage. "Do you pretend to say,
|
||||
landlord, that this harpooneer is actually engaged this blessed Saturday
|
||||
night, or rather Sunday morning, in peddling his head around this town?"
|
||||
|
||||
"That's precisely it," said the landlord, "and I told him he couldn't
|
||||
sell it here, the market's overstocked."
|
||||
|
||||
"With what?" shouted I.
|
||||
|
||||
"With heads to be sure; ain't there too many heads in the world?"
|
||||
|
||||
"I tell you what it is, landlord," said I quite calmly, "you'd better
|
||||
stop spinning that yarn to me--I'm not green."
|
||||
|
||||
"May be not," taking out a stick and whittling a toothpick, "but I
|
||||
rayther guess you'll be done BROWN if that ere harpooneer hears you a
|
||||
slanderin' his head."
|
||||
|
||||
"I'll break it for him," said I, now flying into a passion again at this
|
||||
unaccountable farrago of the landlord's.
|
||||
|
||||
"It's broke a'ready," said he.
|
||||
|
||||
"Broke," said I--"BROKE, do you mean?"
|
||||
|
||||
"Sartain, and that's the very reason he can't sell it, I guess."
|
||||
|
||||
"Landlord," said I, going up to him as cool as Mt. Hecla in a
|
||||
snow-storm--"landlord, stop whittling. You and I must understand one
|
||||
another, and that too without delay. I come to your house and want a
|
||||
bed; you tell me you can only give me half a one; that the other half
|
||||
belongs to a certain harpooneer. And about this harpooneer, whom I
|
||||
have not yet seen, you persist in telling me the most mystifying and
|
||||
exasperating stories tending to beget in me an uncomfortable feeling
|
||||
towards the man whom you design for my bedfellow--a sort of connexion,
|
||||
landlord, which is an intimate and confidential one in the highest
|
||||
degree. I now demand of you to speak out and tell me who and what this
|
||||
harpooneer is, and whether I shall be in all respects safe to spend the
|
||||
night with him. And in the first place, you will be so good as to unsay
|
||||
that story about selling his head, which if true I take to be good
|
||||
evidence that this harpooneer is stark mad, and I've no idea of sleeping
|
||||
with a madman; and you, sir, YOU I mean, landlord, YOU, sir, by trying
|
||||
to induce me to do so knowingly, would thereby render yourself liable to
|
||||
a criminal prosecution."
|
||||
|
||||
"Wall," said the landlord, fetching a long breath, "that's a purty long
|
||||
sarmon for a chap that rips a little now and then. But be easy, be easy,
|
||||
this here harpooneer I have been tellin' you of has just arrived from
|
||||
the south seas, where he bought up a lot of 'balmed New Zealand heads
|
||||
(great curios, you know), and he's sold all on 'em but one, and that one
|
||||
he's trying to sell to-night, cause to-morrow's Sunday, and it would not
|
||||
do to be sellin' human heads about the streets when folks is goin' to
|
||||
churches. He wanted to, last Sunday, but I stopped him just as he was
|
||||
goin' out of the door with four heads strung on a string, for all the
|
||||
airth like a string of inions."
|
||||
|
||||
This account cleared up the otherwise unaccountable mystery, and showed
|
||||
that the landlord, after all, had had no idea of fooling me--but at
|
||||
the same time what could I think of a harpooneer who stayed out of a
|
||||
Saturday night clean into the holy Sabbath, engaged in such a cannibal
|
||||
business as selling the heads of dead idolators?
|
||||
|
||||
"Depend upon it, landlord, that harpooneer is a dangerous man."
|
||||
|
||||
"He pays reg'lar," was the rejoinder. "But come, it's getting dreadful
|
||||
late, you had better be turning flukes--it's a nice bed; Sal and me
|
||||
slept in that ere bed the night we were spliced. There's plenty of room
|
||||
for two to kick about in that bed; it's an almighty big bed that. Why,
|
||||
afore we give it up, Sal used to put our Sam and little Johnny in the
|
||||
foot of it. But I got a dreaming and sprawling about one night, and
|
||||
somehow, Sam got pitched on the floor, and came near breaking his arm.
|
||||
Arter that, Sal said it wouldn't do. Come along here, I'll give ye a
|
||||
glim in a jiffy;" and so saying he lighted a candle and held it towards
|
||||
me, offering to lead the way. But I stood irresolute; when looking at a
|
||||
clock in the corner, he exclaimed "I vum it's Sunday--you won't see that
|
||||
harpooneer to-night; he's come to anchor somewhere--come along then; DO
|
||||
come; WON'T ye come?"
|
||||
|
||||
I considered the matter a moment, and then up stairs we went, and I was
|
||||
ushered into a small room, cold as a clam, and furnished, sure enough,
|
||||
with a prodigious bed, almost big enough indeed for any four harpooneers
|
||||
to sleep abreast.
|
||||
|
||||
"There," said the landlord, placing the candle on a crazy old sea chest
|
||||
that did double duty as a wash-stand and centre table; "there, make
|
||||
yourself comfortable now, and good night to ye." I turned round from
|
||||
eyeing the bed, but he had disappeared.
|
||||
|
||||
Folding back the counterpane, I stooped over the bed. Though none of the
|
||||
most elegant, it yet stood the scrutiny tolerably well. I then glanced
|
||||
round the room; and besides the bedstead and centre table, could see
|
||||
no other furniture belonging to the place, but a rude shelf, the four
|
||||
walls, and a papered fireboard representing a man striking a whale. Of
|
||||
things not properly belonging to the room, there was a hammock lashed
|
||||
up, and thrown upon the floor in one corner; also a large seaman's bag,
|
||||
containing the harpooneer's wardrobe, no doubt in lieu of a land trunk.
|
||||
Likewise, there was a parcel of outlandish bone fish hooks on the shelf
|
||||
over the fire-place, and a tall harpoon standing at the head of the bed.
|
||||
|
||||
But what is this on the chest? I took it up, and held it close to the
|
||||
light, and felt it, and smelt it, and tried every way possible to arrive
|
||||
at some satisfactory conclusion concerning it. I can compare it to
|
||||
nothing but a large door mat, ornamented at the edges with little
|
||||
tinkling tags something like the stained porcupine quills round an
|
||||
Indian moccasin. There was a hole or slit in the middle of this mat,
|
||||
as you see the same in South American ponchos. But could it be possible
|
||||
that any sober harpooneer would get into a door mat, and parade the
|
||||
streets of any Christian town in that sort of guise? I put it on, to try
|
||||
it, and it weighed me down like a hamper, being uncommonly shaggy and
|
||||
thick, and I thought a little damp, as though this mysterious harpooneer
|
||||
had been wearing it of a rainy day. I went up in it to a bit of glass
|
||||
stuck against the wall, and I never saw such a sight in my life. I tore
|
||||
myself out of it in such a hurry that I gave myself a kink in the neck.
|
||||
|
||||
I sat down on the side of the bed, and commenced thinking about this
|
||||
head-peddling harpooneer, and his door mat. After thinking some time on
|
||||
the bed-side, I got up and took off my monkey jacket, and then stood in
|
||||
the middle of the room thinking. I then took off my coat, and thought
|
||||
a little more in my shirt sleeves. But beginning to feel very cold now,
|
||||
half undressed as I was, and remembering what the landlord said about
|
||||
the harpooneer's not coming home at all that night, it being so very
|
||||
late, I made no more ado, but jumped out of my pantaloons and boots, and
|
||||
then blowing out the light tumbled into bed, and commended myself to the
|
||||
care of heaven.
|
||||
|
||||
Whether that mattress was stuffed with corn-cobs or broken crockery,
|
||||
there is no telling, but I rolled about a good deal, and could not sleep
|
||||
for a long time. At last I slid off into a light doze, and had pretty
|
||||
nearly made a good offing towards the land of Nod, when I heard a heavy
|
||||
footfall in the passage, and saw a glimmer of light come into the room
|
||||
from under the door.
|
||||
|
||||
Lord save me, thinks I, that must be the harpooneer, the infernal
|
||||
head-peddler. But I lay perfectly still, and resolved not to say a word
|
||||
till spoken to. Holding a light in one hand, and that identical New
|
||||
Zealand head in the other, the stranger entered the room, and without
|
||||
looking towards the bed, placed his candle a good way off from me on the
|
||||
floor in one corner, and then began working away at the knotted cords
|
||||
of the large bag I before spoke of as being in the room. I was all
|
||||
eagerness to see his face, but he kept it averted for some time while
|
||||
employed in unlacing the bag's mouth. This accomplished, however, he
|
||||
turned round--when, good heavens! what a sight! Such a face! It was of
|
||||
a dark, purplish, yellow colour, here and there stuck over with large
|
||||
blackish looking squares. Yes, it's just as I thought, he's a terrible
|
||||
bedfellow; he's been in a fight, got dreadfully cut, and here he is,
|
||||
just from the surgeon. But at that moment he chanced to turn his face
|
||||
so towards the light, that I plainly saw they could not be
|
||||
sticking-plasters at all, those black squares on his cheeks. They were
|
||||
stains of some sort or other. At first I knew not what to make of this;
|
||||
but soon an inkling of the truth occurred to me. I remembered a story of
|
||||
a white man--a whaleman too--who, falling among the cannibals, had been
|
||||
tattooed by them. I concluded that this harpooneer, in the course of his
|
||||
distant voyages, must have met with a similar adventure. And what is it,
|
||||
thought I, after all! It's only his outside; a man can be honest in any
|
||||
sort of skin. But then, what to make of his unearthly complexion, that
|
||||
part of it, I mean, lying round about, and completely independent of the
|
||||
squares of tattooing. To be sure, it might be nothing but a good coat of
|
||||
tropical tanning; but I never heard of a hot sun's tanning a white man
|
||||
into a purplish yellow one. However, I had never been in the South Seas;
|
||||
and perhaps the sun there produced these extraordinary effects upon the
|
||||
skin. Now, while all these ideas were passing through me like lightning,
|
||||
this harpooneer never noticed me at all. But, after some difficulty
|
||||
having opened his bag, he commenced fumbling in it, and presently pulled
|
||||
out a sort of tomahawk, and a seal-skin wallet with the hair on. Placing
|
||||
these on the old chest in the middle of the room, he then took the New
|
||||
Zealand head--a ghastly thing enough--and crammed it down into the bag.
|
||||
He now took off his hat--a new beaver hat--when I came nigh singing out
|
||||
with fresh surprise. There was no hair on his head--none to speak of at
|
||||
least--nothing but a small scalp-knot twisted up on his forehead. His
|
||||
bald purplish head now looked for all the world like a mildewed skull.
|
||||
Had not the stranger stood between me and the door, I would have bolted
|
||||
out of it quicker than ever I bolted a dinner.
|
||||
|
||||
Even as it was, I thought something of slipping out of the window, but
|
||||
it was the second floor back. I am no coward, but what to make of
|
||||
this head-peddling purple rascal altogether passed my comprehension.
|
||||
Ignorance is the parent of fear, and being completely nonplussed and
|
||||
confounded about the stranger, I confess I was now as much afraid of him
|
||||
as if it was the devil himself who had thus broken into my room at
|
||||
the dead of night. In fact, I was so afraid of him that I was not
|
||||
game enough just then to address him, and demand a satisfactory answer
|
||||
concerning what seemed inexplicable in him.
|
||||
|
||||
Meanwhile, he continued the business of undressing, and at last showed
|
||||
his chest and arms. As I live, these covered parts of him were checkered
|
||||
with the same squares as his face; his back, too, was all over the same
|
||||
dark squares; he seemed to have been in a Thirty Years' War, and just
|
||||
escaped from it with a sticking-plaster shirt. Still more, his very
|
||||
legs were marked, as if a parcel of dark green frogs were running up
|
||||
the trunks of young palms. It was now quite plain that he must be some
|
||||
abominable savage or other shipped aboard of a whaleman in the South
|
||||
Seas, and so landed in this Christian country. I quaked to think of it.
|
||||
A peddler of heads too--perhaps the heads of his own brothers. He might
|
||||
take a fancy to mine--heavens! look at that tomahawk!
|
||||
|
||||
But there was no time for shuddering, for now the savage went about
|
||||
something that completely fascinated my attention, and convinced me that
|
||||
he must indeed be a heathen. Going to his heavy grego, or wrapall, or
|
||||
dreadnaught, which he had previously hung on a chair, he fumbled in the
|
||||
pockets, and produced at length a curious little deformed image with
|
||||
a hunch on its back, and exactly the colour of a three days' old Congo
|
||||
baby. Remembering the embalmed head, at first I almost thought that
|
||||
this black manikin was a real baby preserved in some similar manner. But
|
||||
seeing that it was not at all limber, and that it glistened a good deal
|
||||
like polished ebony, I concluded that it must be nothing but a wooden
|
||||
idol, which indeed it proved to be. For now the savage goes up to the
|
||||
empty fire-place, and removing the papered fire-board, sets up this
|
||||
little hunch-backed image, like a tenpin, between the andirons. The
|
||||
chimney jambs and all the bricks inside were very sooty, so that I
|
||||
thought this fire-place made a very appropriate little shrine or chapel
|
||||
for his Congo idol.
|
||||
|
||||
I now screwed my eyes hard towards the half hidden image, feeling but
|
||||
ill at ease meantime--to see what was next to follow. First he takes
|
||||
about a double handful of shavings out of his grego pocket, and places
|
||||
them carefully before the idol; then laying a bit of ship biscuit on
|
||||
top and applying the flame from the lamp, he kindled the shavings into
|
||||
a sacrificial blaze. Presently, after many hasty snatches into the fire,
|
||||
and still hastier withdrawals of his fingers (whereby he seemed to be
|
||||
scorching them badly), he at last succeeded in drawing out the biscuit;
|
||||
then blowing off the heat and ashes a little, he made a polite offer of
|
||||
it to the little negro. But the little devil did not seem to fancy such
|
||||
dry sort of fare at all; he never moved his lips. All these strange
|
||||
antics were accompanied by still stranger guttural noises from the
|
||||
devotee, who seemed to be praying in a sing-song or else singing some
|
||||
pagan psalmody or other, during which his face twitched about in the
|
||||
most unnatural manner. At last extinguishing the fire, he took the idol
|
||||
up very unceremoniously, and bagged it again in his grego pocket as
|
||||
carelessly as if he were a sportsman bagging a dead woodcock.
|
||||
|
||||
All these queer proceedings increased my uncomfortableness, and
|
||||
seeing him now exhibiting strong symptoms of concluding his business
|
||||
operations, and jumping into bed with me, I thought it was high time,
|
||||
now or never, before the light was put out, to break the spell in which
|
||||
I had so long been bound.
|
||||
|
||||
But the interval I spent in deliberating what to say, was a fatal one.
|
||||
Taking up his tomahawk from the table, he examined the head of it for an
|
||||
instant, and then holding it to the light, with his mouth at the handle,
|
||||
he puffed out great clouds of tobacco smoke. The next moment the light
|
||||
was extinguished, and this wild cannibal, tomahawk between his teeth,
|
||||
sprang into bed with me. I sang out, I could not help it now; and giving
|
||||
a sudden grunt of astonishment he began feeling me.
|
||||
|
||||
Stammering out something, I knew not what, I rolled away from him
|
||||
against the wall, and then conjured him, whoever or whatever he might
|
||||
be, to keep quiet, and let me get up and light the lamp again. But his
|
||||
guttural responses satisfied me at once that he but ill comprehended my
|
||||
meaning.
|
||||
|
||||
"Who-e debel you?"--he at last said--"you no speak-e, dam-me, I kill-e."
|
||||
And so saying the lighted tomahawk began flourishing about me in the
|
||||
dark.
|
||||
|
||||
"Landlord, for God's sake, Peter Coffin!" shouted I. "Landlord! Watch!
|
||||
Coffin! Angels! save me!"
|
||||
|
||||
"Speak-e! tell-ee me who-ee be, or dam-me, I kill-e!" again growled the
|
||||
cannibal, while his horrid flourishings of the tomahawk scattered the
|
||||
hot tobacco ashes about me till I thought my linen would get on fire.
|
||||
But thank heaven, at that moment the landlord came into the room light
|
||||
in hand, and leaping from the bed I ran up to him.
|
||||
|
||||
"Don't be afraid now," said he, grinning again, "Queequeg here wouldn't
|
||||
harm a hair of your head."
|
||||
|
||||
"Stop your grinning," shouted I, "and why didn't you tell me that that
|
||||
infernal harpooneer was a cannibal?"
|
||||
|
||||
"I thought ye know'd it;--didn't I tell ye, he was a peddlin' heads
|
||||
around town?--but turn flukes again and go to sleep. Queequeg, look
|
||||
here--you sabbee me, I sabbee--you this man sleepe you--you sabbee?"
|
||||
|
||||
"Me sabbee plenty"--grunted Queequeg, puffing away at his pipe and
|
||||
sitting up in bed.
|
||||
|
||||
"You gettee in," he added, motioning to me with his tomahawk, and
|
||||
throwing the clothes to one side. He really did this in not only a civil
|
||||
but a really kind and charitable way. I stood looking at him a moment.
|
||||
For all his tattooings he was on the whole a clean, comely looking
|
||||
cannibal. What's all this fuss I have been making about, thought I to
|
||||
myself--the man's a human being just as I am: he has just as much reason
|
||||
to fear me, as I have to be afraid of him. Better sleep with a sober
|
||||
cannibal than a drunken Christian.
|
||||
|
||||
"Landlord," said I, "tell him to stash his tomahawk there, or pipe, or
|
||||
whatever you call it; tell him to stop smoking, in short, and I will
|
||||
turn in with him. But I don't fancy having a man smoking in bed with me.
|
||||
It's dangerous. Besides, I ain't insured."
|
||||
|
||||
This being told to Queequeg, he at once complied, and again politely
|
||||
motioned me to get into bed--rolling over to one side as much as to
|
||||
say--"I won't touch a leg of ye."
|
||||
|
||||
"Good night, landlord," said I, "you may go."
|
||||
|
||||
I turned in, and never slept better in my life.
|
||||
|
||||
|
||||
|
||||
|
||||
Reference in New Issue
Block a user